October 2011
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QUATRO - Hallelujah (Leonard Cohen) (by Travelling Tale Productions)
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Double variation
The double variation (also known as alternating variations) is a musical form used in classical music. It is a type of theme and variations that employs two themes. In a double variation set, a first theme (to be called A here) is followed by a second theme (B), followed by a variation on A, then a variation on B, and so on with alternating A and B variations. (via Wikipedia)
e.g. J.S....
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Liszt Ferenc (1811-1886): Salve Regina, S. 66 (1885)
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Liszt Ferenc (1811-1886): ‘Veronica wipes the face of Jesus‘
Station 6 from Via Crucis /The Way of the Cross/, S. 53 (1879)
Based on Bach’s Chorale ‘O Haupt, voll Blut und Wunden’ from St. Matthew Passion
O Head full of blood and wounds, full of pain and full of derision, O Head, in mockery bound with a crown of thorns, O Head,once beautifully adorned with the...
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Liszt Ferenc (1811-1886): Pater noster I, R.519 (1860)
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Liszt Ferenc (1811-1886): La Notte, S. 699 (from Trois Odes Funebres)
Miriam Gómez-Morán - piano
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Fryderyk Chopin (1810-1849): Śliczny chłopiec (Handsome lad), Op 74 No 8 (1841) words by Bohdan Zaleski
Urszula Cuvellier - soprano, Anne Le Bozec - piano
(by Ameson)
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Franz Schubert (1797-1828): Fantasia in F minor for piano four-hands, D 940 (1828)
Imogen Cooper and Paul Lewis - piano
(by Revolving)
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Pipe Plant (by Sasha Aleksandrov)
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Sergey Rachmaninov (1873-1943): Bogoroditsye Devo (Ave Maria) from The All-Night Vigil, op. 37, 1915
Bassoon Quintet
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Castelsardo (Sardinia) / Giovedi Sancto 2007 / Stabba / Confrérie Santa Croce (by PROVIDENCES)
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